Morning Fury Interview with Tana Douglas
ABOUT TANA DOUGLAS AND LOUD
What goes on tour stays on tour — unless you’re the the first woman roadie in the world!
At just fifteen, Tana Douglas ran away to the circus that was rock ‘n’ roll in the 1970s, taking a job with a young and upcoming band called AC/DC. While still a teenager she headed to the UK and later the US to work for a who’s who of bands and artists. Life on the road was exhilarating, hard work, occasionally surreal but never dull, particularly when you’re the only woman in the road crew and the #metoo movement is still 40 years away. 
Whether wrangling Iggy Pop across Europe, climbing trusses while seven months pregnant, drinking shots of JD with Bon Scott backstage at Wembley, or donning a tailor-made suit to do lights for Elton at Windsor Castle, Tana did it all. Loud is rock ‘n’ roll like you’ve never seen it before, by a woman who not only survived the all-male world on the road but climbed to the top and lived to tell the tale.
AC/DC * Deep Purple * ELO * Elton John * Ice Cube * Ice-T * Iggy Pop* INXS * Iron Maiden * Lenny Kravitz * Neil Diamond * Ozzy Osbourne * Patti Smith * Pearl Jam * Rage Against the Machine * Red Hot Chili Peppers * Santana * Status Quo * Suzi Quatro * The Offspring * The Police * The Runaways * The Who * Vanda & Young and more!
ABOUT TANA DOUGLAS
Throughout the music industry, Tana Douglas is acknowledged as rock’n’roll’s first female roadie. Her journey started in 1973 in Australia within a year she was working for AC/DC, first doing backline then F.O.H. Sound for the band. She then moved to lighting working for a major Australian promoter and completed in quick succession several tours with international acts such as: Santana, Suzi Quatro, Neil Diamond, David Essex and Leo Sayer and Status Quo all before she turned 18.
After getting her father to sign her passport so she could travel internationally she ventured to London to start 4 years with Status Quo running their lighting rig. She then brought that rig to TASCO, a major Production company in London that until that time had only supplied Sound for tours. A relationship developed there that would last several years and include working for such artists as: Status Quo, The WHO, Ozzy Osbourne, Whitesnake, The Police, Elton John, Iggy Pop and Johnny Halliday the French megastar.
Her relationship continued with TASCO enabling her to transfer to the USA after they opened a Los Angeles division. After becoming a resident of the USA she broadened her working relationships to also include both Delicate Productions and Light & Sound Designs. The tours that followed were Elton John, INXS, Men at Work, before being once again called back to Europe to manage the largest lighting rig ever built for a 7 month residency for her old friend Johnny Halliday, at Le Zenith in Paris, for Light & Sound Design (LSD).
After successfully completing that task it was time for a change. Los Angeles had offered Tana new passions and she gradually left lighting, stage/production to focus her skills on logistics which meant if a tour had to be somewhere, she was the person to make sure it happened – for everyone including Lenny Kravitz, Pearl Jam, Red Hot Chili Peppers, Luther Vandross, Ice-T and Ice Cube to name a few.
Tana’s career spanned 30+ years and has seen her work alongside some of rock’s biggest names and personalities. As the music industry grew to become a worldwide cultural phenomenon, she was there, in the thick of it, a girl.
Tana and her unique position in the music industry have been included in several other people’s books – most recently a chapter in Stuart Coupe’s book, Roadies, which confirmed her as the first female roadie. But now it’s time for Tana to tell her story, in her own words. Her memoir is being published and tells of the joys and struggles faced as a girl out on the road on her own in the wild and woolly days that created this industry of music.
Tana currently resides in Los Angeles, California.
